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Trauma and Psychodrama
The convention definition of trauma is incomplete because it focuses
too much on traumatic events, or bad things that should not have
happened. For complex, high comorbid patients, the bad things that
happened in childhood are probably less important, less damaging,
and less traumatic than the events which did no happen. It is the
errors of omission by the parents, not the errors of commission,
which are the fundamental problem. The deeper trauma is the absence
of normal love, affection, attention, care and protection the trauma
is not being special to mom and dad.
In recent years the mental health community has become increasingly
sensitized to a promising new development in the theory and
treatment of emotional illness. The central role of trauma-physical,
emotional and sexual abuse and neglect-in the generation of a wide
variety of symptomatic behavior and emotional distress is more and
more apparent.
The Effects of Trauma
Trauma can lead to many symptoms including depression, anxiety,
substance abuse, psychosis, and dissociation. An enduring pattern of
numerous complex symptoms can devastate a person’s emotional and
cognitive development, causing severe dysfunction and distress in
adulthood. Traumas various manifestations include chronic
depression, lack of coherent self image, low self esteem, repetitive
self defeating and self destructive behaviors, unstable mood, and
hallucinations.
Treatment:
A person, who is exposed to traumatic experiences as a child,
adolescent or adult (such as physical, emotional or sexual abuse,
neglect or abandonment; or such as witnessing or experiencing an
accident or horrific event or even a perceived trauma) and/or never
learned healthy expression of affect (emotions), is often
developmentally arrested at an emotional level. Due to his arrested
development, a person then relies on a variety or primitive and
unhealthy cognitions (thoughts, beliefs) and behaviors to defend
against painful emotions. It is these cognitions and behaviors that
are manifested in a variety of diagnosis, addictions, and symptoms,
which in turn defines the current crisis. Since symptoms are seen in
defenses against intolerable affect, the treatment plan is the same
for everyone; to feel my feelings and stay safe. Staying safe means
not relying on thoughts or behaviors that are destructive or
unhealthy for emotional management, such as suicidal ideations,
homicidal ideation, or self destructive and addictive behaviors.
With this in mind, all of theses defenses can be described as
addictions and the clients are addicted to avoiding their affect.
Therefore, we utilize an addiction model in our treatment.
Identifying the underlying reason for the defense (affect avoidance)
helps to stop the addictive group cycle. Our objective in group is
to help clients identify their unhealthy defenses that they use to
regulate feelings and to use desensitization techniques to enable
them to accept t he feelings that they have avoided in the past. It
is through the combination of cognitive-behavioral, experiential and
didactic (teaching) therapies. The client begins to acquire greater
affect tolerance, increased ego strength, increased frustration
tolerance, and self soothing skills that are critical to recovery
and future self sufficiency management of painful feelings. One
aspect of therapy is psychodrama.
What is Psychodrama?
Psychodrama is the name given by J.L. Moreno to the method he
developed for helping people become more creative in day to day
living. It has applications in many different areas in which people
are learning, changing and relating to others, in training,
education, healing, spiritual life, business, performing arts and in
organizations. Practitioners of this powerful method integrate all
levels of a human being: their thinking, their intellect, their
imaginations, their feelings and their actions in their social
context. In this way, learning is able to be applied directly in
actual living situations at work, outside the home, in other
organizations and in close relations. Under the guidance of a
trained practitioner known as the director, the method involves
improvisational dramatic action. The script for the drama is
“written”, moment by moment, out of the purposes and concerns of an
individual, or the group where the method is being applied. Group
members take an active part in one another’s dramas that they bring
to as close to life as possible. In this way group members may
generate and practice new behaviors and ways of thinking and test
them out for their impact on those around them before they do this
in the actual work or life situation. The consequences can be
examined and new decisions made as to how to apply the learning.
How may an individual benefit?
The method can move very fully into people’s subjective world
without judgment. Thus long frustrated desires or fears can be
enacted and greater freedom experienced. Old agendas can be
completed, including grieving, trauma or celebration. Imagination
and intuition are developed. Possible futures are enjoyed and tested
when brought to life on the psychodrama stage. Fresh understanding
of significant relationships can be gained.
From time to time each individual in a group can be a star. In
experiencing and expressing themselves dramatically a greater sense
of self work and ability to rise to life’s challenges are developed.
Usually participants have fun. Many aspects of being human which
find no other outlet in our contemporary world can be expressed by
ordinary people. Dreams, myths and wishes become concrete for a time
and lend power and depth to everyday living.
The connections between the individual’s participating are deepened
and strengthened through walking together into one another’s
reality. New and lasting friendships are often formed and better
communication and interpersonal skills developed. Reversing into the
role of another creates fresh experience of the wider world.
What does psychodrama look like?
Conceived and developed by Jacob L. Moreno, MD, psychodrama employs
guided dramatic action to examine problems or issues raised by an
individual (psychodrama) or a group (sociodrama). Using experiential
methods, sociometry, role theory, and group dynamics, psychodrama
facilitates insight, personal growth, and integration on cognitive
affective and behavioral levels. It clarifies issues, increases
physical and emotional well being, enhances leering and develops new
skills.
The basic elements (operational components) psychodrama is:
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The protagonist:
Person(s) selected to “represent them” of group in drama.
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The auxiliary egos:
Group members who assume the roles of significant others in the
drama.
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The audience: Group
members who witness the drama and represent the world at large.
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The State: The
physical space in which the drama is conducted.
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The director: the
trained pschodramatist who participants through each phase of
the session.
In classically,
structured psychodrama sessions, there are three distinct phases:
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The warm-up: The
group theme is identified and a protagonist is selected.
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The action: The
problem is dramatized and the protagonist explores new methods
of resolving it.
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The sharing: Group
members are invited to express their connection with the
protagonist’s work.
Rules for Psychodrama
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Please do not leave
once we have started.
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Please do not talk
or whisper or have any side conversations.
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Please do not create
any distractions.
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Please keep the
content of the group confidential.
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Please give feedback
to those who have worked.
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